American Pastoral

by

Philip Roth

Gloves  Symbol Icon

In American Pastoral, gloves represent the Swede’s dedication to family tradition. They also represent a vision of America that by the novel’s present day has ceased to exist. Though once an impoverished immigrant family who struggled to get by, generations of Levovs work tirelessly in the leather industry until eventually, Lou Levov, the Swede’s father, owns a prosperous glove factory of his own. The Levov family business, Newark Maid, manufactures ladies’ gloves, high-end accessories worn by women of means in the earlier part of the 20th century. The Swede grows up with the expectation that he will one day inherit the factory, and so he spends his formative years learning everything there is to know about gloves—under the ever scrutinizing, ungenerous eye of his father. Eventually the Swede does take over Newark Maid, and he becomes as engrossed in and passionate about gloves as his father was before him, taking Merry to work on special occasions and delighting in her reciprocated pride in her family’s legacy. In its prime, then, the Levovs’ gloving business represents the fruits of good, honest labor, and it honors the generations of Levovs who toiled in dehumanizing, unrewarding conditions so that their descendants could one day thrive.

But as time marches onward, modern fashion trends, relaxed social norms, and a radically transformed social and economic landscape considerably shrink the market for ladies’ gloves and alter the conditions in which they’re produced. When Merry adopts extremist political views as a teenager, she comes to see the business as a source of shame rather than a marker of family pride, and she condemns her father for his complicity in the predatory capitalist economy. Following the Newark Riots of 1967, businesses like the Swede’s exit the city en masse, with many moving operations outside of the U.S., where the cost of labor is cheaper. Though the Swede tries to stay in Newark for as long as he can, eventually he, too, closes the original factory and moves production overseas. Though Lou Levov decries the radically transformed gloving industry and the sharp decline in quality he has observed across the business, his complaints read as the deluded and futile (if also tragic) ramblings of a grumpy, stubborn old man who is past his prime of life and who resents the rest of the world for moving ahead without him. And indeed, the world moves forward, cruelly indifferent to Lou’s unhappiness about where it’s headed. In this way, then, the Levov family’s glove business traces the radical economic, social, and cultural transformation America undergoes over the course of a century, and the inevitable conflicts that change brings with it. 

Gloves Quotes in American Pastoral

The American Pastoral quotes below all refer to the symbol of Gloves . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Heroes, Legends, and Myth-Making  Theme Icon
).
Chapter 3 Quotes

“My father,” Jerry said, “was one impossible bastard. Overbearing. Omnipresent. I don’t know how people worked for him. When they moved to Central Avenue, the first thing he had the movers move was his desk, and the first place he put it was not in the glass-enclosed office but dead center in the middle of the factory floor, so he could keep his eye on everybody. […] The owner of the glove factory, but he would always sweep his own floors, especially around the cutters, where they cut the leather, because he wanted to see from the size of the scraps who was losing money for him.”

Related Characters: Jerry Levov (speaker), Seymour “The Swede” Levov, Nathan Zuckerman, Lou Levov
Related Symbols: Gloves
Page Number: 66-67
Explanation and Analysis:
Chapter 4 Quotes

Not since Merry had disappeared had he felt anything like this loquacious. Right up to that morning, all he’d been wanting was to weep or to hide; but because there was Dawn to nurse and a business to tend to and his parents to prop up, because everybody else was paralyzed by disbelief and shattered to the core, neither inclination had as yet eroded the protective front he provided the family and presented to the world. But now words were sweeping him on, buoying him up, his father’s words released by the sight of this tiny girl studiously taking them down. She was nearly as small, he thought, as the kids from Merry’s third-grade class, who’d been bused the thirty-eight miles from their rural schoolhouse one day back in the late fifties so that Merry’s daddy could show them how he made gloves […].

Related Characters: Nathan Zuckerman (speaker), Seymour “The Swede” Levov, Dawn Dwyer, Merry Levov, Lou Levov, Rita Cohen
Related Symbols: Gloves
Page Number: 121-122
Explanation and Analysis:

“[…] Harry’s father cut it and his mom sewed it, and they went over to the circus and gave the gloves to the tall man, and the whole family got free seats, and a big story about Harry’s dad ran in the Newark News the next day.”

Harry corrected him. “The Star-Eagle.”

“Right, before it merged with the Ledger.”

“Wonderful,” the girl said, laughing. “Your father must have been very skilled.”

“Couldn’t speak a word of English,” Harry told her.

“He couldn’t? Well, that just goes to show, you don’t have to know English,” she said, “to cut a perfect pair of gloves for a man nine feet tall.”

Harry didn’t laugh but the Swede did, laughed and put his arm around her.

Related Characters: Seymour “The Swede” Levov (speaker), Rita Cohen (speaker), Harry (speaker), Merry Levov, Lou Levov
Related Symbols: Gloves
Page Number: 128-129
Explanation and Analysis:

The unreality of being in the hands of this child! This loathsome kid with a head full of fantasies about “the working class”! This tiny being who took up not even as much space in the car as the Levov sheepdog, pretending that she was striding on the world stage! This utterly insignificant pebble! What was the whole sick enterprise other than angry, infantile egoism thinly disguised as identification with the oppressed?

Related Characters: Nathan Zuckerman (speaker), Seymour “The Swede” Levov, Merry Levov, Rita Cohen
Related Symbols: Gloves
Page Number: 134
Explanation and Analysis:
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American Pastoral PDF

Gloves Symbol Timeline in American Pastoral

The timeline below shows where the symbol Gloves appears in American Pastoral. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
American Ideals  Theme Icon
...a chiropodist, Lou Levov, the Swede’s father, got rich in the leather business, manufacturing ladies’ gloves. The Swede’s grandfather had come to Newark from “the old country” in the late 1800s... (full context)
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
The Irrationality of Suffering  Theme Icon
American Ideals  Theme Icon
...out of a pushcart. Then he hired Italian immigrants to do piecework for him, making gloves out of skins he supplied them. The business wasn’t making great money until the onset... (full context)
The Irrationality of Suffering  Theme Icon
American Ideals  Theme Icon
...war’s end, Newark Maid had established itself as one of the biggest names in ladies’ gloves in the region. After Newark Maid opened a factory in Puerto Rico in 1958, the... (full context)
Chapter 4
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
Rita is charming and seems genuinely fascinated as the Swede shows her how gloves are made. The Swede is impressed as she asks questions about every last detail. She... (full context)
Heroes, Legends, and Myth-Making  Theme Icon
The Unknowability of Others  Theme Icon
American Ideals  Theme Icon
The Swede explains that he learned how to cut gloves from Harry. He says he “learned this business in the old-fashioned way. From the ground... (full context)
Heroes, Legends, and Myth-Making  Theme Icon
The Unknowability of Others  Theme Icon
American Ideals  Theme Icon
The Swede enthusiastically tells a story about Harry’s father making a perfect-fitting pair of gloves for a giant man who performed with the circus—he got the man’s size right just... (full context)
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
The Irrationality of Suffering  Theme Icon
The Unknowability of Others  Theme Icon
...look at her exposed body. Mocking the Swede’s earlier demonstration of how to size ladies’ gloves, Rita gestures toward her exposed genitals and asks him to guess the size of her... (full context)
Chapter 5
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
The Irrationality of Suffering  Theme Icon
American Ideals  Theme Icon
...of Miss America. He was just starting out at Newark Maid then, and he had gloves made to match Dawn’s gown. When Dawn ultimately lost to Miss Arizona, she wasn’t nearly... (full context)
Heroes, Legends, and Myth-Making  Theme Icon
Family, Responsibility, and Duty  Theme Icon
The Irrationality of Suffering  Theme Icon
American Ideals  Theme Icon
...go on to work at the factory. Lou Levov would bring home the families’ finished gloves for his wife, Sylvia, to inspect for imperfections. Lou would quiz the Swede on what... (full context)
Chapter 6
Heroes, Legends, and Myth-Making  Theme Icon
The Irrationality of Suffering  Theme Icon
...America—how “frightening” and chaotic it is. All the Swede knows is how to make a glove—just like his father.  (full context)
Chapter 8
Heroes, Legends, and Myth-Making  Theme Icon
American Ideals  Theme Icon
...a long tangent about how Black people have destroyed Newark and unions have destroyed the glove industry. Sylvia tries to get Lou back on track. Bill Orcutt chimes in and says... (full context)