Cass Character Analysis

“Have you been to the police?” Richard asked.

“Yes.” She made a gesture of disgust and rose and walked to the window. “They said it happens all the time—colored men running off from their families. They said they’d try to find him. But they don’t care. They don’t care what happens—to a black man!”

“Oh, well, now,” cried Richard, his face red, “is that fair? I mean, hell, I’m sure they’ll look for him just like they look for any other citizen of this city.”

“I didn’t love Rufus, not the way you did, the way all of you did. I couldn’t help feeling, anyway, that one of the reasons all of you made such a kind of—fuss—over him was partly just because he was colored. Which is a hell of a reason to love anybody. I just had to look on him as another guy. And I couldn’t forgive him for what he did to Leona. You once said you couldn’t, either.”

Perhaps such secrets, the secrets of everyone, were only expressed when the person laboriously dragged them into the light of the world, imposed them on the world, and made them a part of the world’s experience. Without this effort, the secret place was merely a dungeon in which the person perished; without this effort, indeed, the entire world would be an uninhabitable darkness; and she saw, with a dreadful reluctance, why this effort was so rare. Reluctantly, because she then realized that Richard had bitterly disappointed her by writing a book in which he did not believe. In that moment she knew, and she knew that Richard would never face it, that the book he had written to make money represented the absolute limit of his talent. It had not really been written to make money—if only it had been! It had been written because he was afraid, afraid of things dark, strange, dangerous, difficult, and deep.

For several years it had been his fancy that he belonged in those dark streets uptown precisely because the history written in the color of his skin contested his right to be there. He enjoyed this, his right to be being everywhere contested; uptown, his alienation had been made visible and, therefore, almost bearable. It had been his fancy that danger, there, was more real, more open, than danger was downtown and that he, having chosen to run these dangers, was snatching his manhood from the lukewarm waters of mediocrity and testing it in the fire. He had felt more alive in Harlem, for he had moved in a blaze of rage and self-congratulation and sexual excitement, with danger, like a promise, waiting for him everywhere. And, nevertheless, in spite of all this daring, this running of risks, the misadventures which had actually befallen him had been banal indeed and might have befallen him anywhere.

She put the book down on the bar between Ida and Vivaldo. “It’s had great advance notices. You know, ‘literate,’ ‘adult,’ ‘thrilling’—that sort of thing. Richard’ll show them to you. It’s even been compared to Crime and Punishment—because they both have such a simple story line, I guess.” Vivaldo looked at her sharply. “Well. I’m only quoting.”

No one, in any case, had written very often; he had not really wanted to know what was happening among the people he had fled; and he felt that they had always protected themselves against any knowledge of what was happening in him. No, Rufus had been his only friend among them. Rufus had made him suffer, but Rufus had dared to know him.

He was making himself sick with his fears and his fantasies. If Ida loved him, then Ellis and the whole great glittering world did not matter. If she did not love him, there was nothing he could do about it and the sooner everything came to an end between them, the better. But he knew that it was not as simple as that, that he was not being honest. She might very well love him and yet—he shuddered and threw down his drink—be groaning on some leather couch under the weight of Ellis. Her love for him would in no way blunt the force of her determination to become a singer—to pursue the career which now seemed so easily within her grasp.

He looked at the blonde again, wondering what she was like with no clothes on. She was sitting at a table near the door, facing him, toying with a daiquiri glass, and talking to a heavy, gray-haired man, who had a high giggle, who was a little drunk, and whom Vivaldo recognized as a fairly well-known poet. The blonde reminded him of Cass. And this made him realize—for the first time, it is astonishing how well the obvious can be hidden—that when he had met Cass, so many years ago, he had been terribly flattered that so highborn a lady noticed such a stinking boy. He had been overwhelmed. And he had adored Richard without reserve, not, as it now turned out, because of Richard’s talent, which, in any case, he had then been quite unable to judge, but merely because Richard possessed Cass.

Ida and Ellis had begun a new dance; or, rather, Ida had begun a new cruelty. Ida was suddenly dancing as she had probably not danced since her adolescence, and Ellis was attempting to match her—he could certainly not be said to be leading her now, either. He tried, of course, his square figure swooping and breaking, and his little boy’s face trying hard to seem abandoned.

There were many things she could not demand of Eric. Their relationship depended on her restraint. She could not go to him now, for example, at two in the morning: this liberty was not in their contract. The premise of their affair, or the basis of their comedy, was that they were two independent people, who needed each other for a time, who would always be friends, but who, probably, would not always be lovers. Such a premise forbids the intrusion of the future, or too vivid an exhibition of need. Eric, in effect, was marking time, waiting—waiting for something to be resolved.

She could keep silence and go into his arms, and the last few months would be wiped away—he would never know where she had been. The world would return to its former shape. Would it? The silence between them stretched. She could not look at him. He had existed for too long in her mind—now, she was being humbled by the baffling reality of his presence. Her imagination had not taken enough into account—she had not foreseen, for example, the measure or the quality or the power of his pain. He was a lonely and limited man, who loved her. Did she love him?

He wished that he could rescue her, that it was within his power to rescue her and make her life less hard. But it was only love which could accomplish the miracle of making a life bearable—only love, and love itself mostly failed; and he had never loved her. He had used her to find out something about himself. And even this was not true. He had used her in the hope of avoiding a confrontation with himself which he had, nevertheless, and with a vengeance, been forced to endure.

“Have you been to the police?” Richard asked.

“Yes.” She made a gesture of disgust and rose and walked to the window. “They said it happens all the time—colored men running off from their families. They said they’d try to find him. But they don’t care. They don’t care what happens—to a black man!”

“Oh, well, now,” cried Richard, his face red, “is that fair? I mean, hell, I’m sure they’ll look for him just like they look for any other citizen of this city.”

“I didn’t love Rufus, not the way you did, the way all of you did. I couldn’t help feeling, anyway, that one of the reasons all of you made such a kind of—fuss—over him was partly just because he was colored. Which is a hell of a reason to love anybody. I just had to look on him as another guy. And I couldn’t forgive him for what he did to Leona. You once said you couldn’t, either.”

Perhaps such secrets, the secrets of everyone, were only expressed when the person laboriously dragged them into the light of the world, imposed them on the world, and made them a part of the world’s experience. Without this effort, the secret place was merely a dungeon in which the person perished; without this effort, indeed, the entire world would be an uninhabitable darkness; and she saw, with a dreadful reluctance, why this effort was so rare. Reluctantly, because she then realized that Richard had bitterly disappointed her by writing a book in which he did not believe. In that moment she knew, and she knew that Richard would never face it, that the book he had written to make money represented the absolute limit of his talent. It had not really been written to make money—if only it had been! It had been written because he was afraid, afraid of things dark, strange, dangerous, difficult, and deep.

For several years it had been his fancy that he belonged in those dark streets uptown precisely because the history written in the color of his skin contested his right to be there. He enjoyed this, his right to be being everywhere contested; uptown, his alienation had been made visible and, therefore, almost bearable. It had been his fancy that danger, there, was more real, more open, than danger was downtown and that he, having chosen to run these dangers, was snatching his manhood from the lukewarm waters of mediocrity and testing it in the fire. He had felt more alive in Harlem, for he had moved in a blaze of rage and self-congratulation and sexual excitement, with danger, like a promise, waiting for him everywhere. And, nevertheless, in spite of all this daring, this running of risks, the misadventures which had actually befallen him had been banal indeed and might have befallen him anywhere.

She put the book down on the bar between Ida and Vivaldo. “It’s had great advance notices. You know, ‘literate,’ ‘adult,’ ‘thrilling’—that sort of thing. Richard’ll show them to you. It’s even been compared to Crime and Punishment—because they both have such a simple story line, I guess.” Vivaldo looked at her sharply. “Well. I’m only quoting.”

No one, in any case, had written very often; he had not really wanted to know what was happening among the people he had fled; and he felt that they had always protected themselves against any knowledge of what was happening in him. No, Rufus had been his only friend among them. Rufus had made him suffer, but Rufus had dared to know him.

He was making himself sick with his fears and his fantasies. If Ida loved him, then Ellis and the whole great glittering world did not matter. If she did not love him, there was nothing he could do about it and the sooner everything came to an end between them, the better. But he knew that it was not as simple as that, that he was not being honest. She might very well love him and yet—he shuddered and threw down his drink—be groaning on some leather couch under the weight of Ellis. Her love for him would in no way blunt the force of her determination to become a singer—to pursue the career which now seemed so easily within her grasp.

He looked at the blonde again, wondering what she was like with no clothes on. She was sitting at a table near the door, facing him, toying with a daiquiri glass, and talking to a heavy, gray-haired man, who had a high giggle, who was a little drunk, and whom Vivaldo recognized as a fairly well-known poet. The blonde reminded him of Cass. And this made him realize—for the first time, it is astonishing how well the obvious can be hidden—that when he had met Cass, so many years ago, he had been terribly flattered that so highborn a lady noticed such a stinking boy. He had been overwhelmed. And he had adored Richard without reserve, not, as it now turned out, because of Richard’s talent, which, in any case, he had then been quite unable to judge, but merely because Richard possessed Cass.

Ida and Ellis had begun a new dance; or, rather, Ida had begun a new cruelty. Ida was suddenly dancing as she had probably not danced since her adolescence, and Ellis was attempting to match her—he could certainly not be said to be leading her now, either. He tried, of course, his square figure swooping and breaking, and his little boy’s face trying hard to seem abandoned.

There were many things she could not demand of Eric. Their relationship depended on her restraint. She could not go to him now, for example, at two in the morning: this liberty was not in their contract. The premise of their affair, or the basis of their comedy, was that they were two independent people, who needed each other for a time, who would always be friends, but who, probably, would not always be lovers. Such a premise forbids the intrusion of the future, or too vivid an exhibition of need. Eric, in effect, was marking time, waiting—waiting for something to be resolved.

She could keep silence and go into his arms, and the last few months would be wiped away—he would never know where she had been. The world would return to its former shape. Would it? The silence between them stretched. She could not look at him. He had existed for too long in her mind—now, she was being humbled by the baffling reality of his presence. Her imagination had not taken enough into account—she had not foreseen, for example, the measure or the quality or the power of his pain. He was a lonely and limited man, who loved her. Did she love him?

He wished that he could rescue her, that it was within his power to rescue her and make her life less hard. But it was only love which could accomplish the miracle of making a life bearable—only love, and love itself mostly failed; and he had never loved her. He had used her to find out something about himself. And even this was not true. He had used her in the hope of avoiding a confrontation with himself which he had, nevertheless, and with a vengeance, been forced to endure.