Another Country takes place in New York City during the 1960s, when racial politics dominated cultural discourse. Although the North did not have laws that were as archaic as the American South’s Jim Crow laws (laws that upheld segregation), racial division and discrimination against African American people in particular was prevalent among even the more liberal demographics of New York City. Many of the white characters in the novel do their best to support their Black friends and lovers but find themselves completely lost on how to do so. Some characters, like Vivaldo, try to ignore race all together. Vivaldo seems to think that racial divisions are more likely to go away if there is less talk about them. However, as Ida, his African American girlfriend, regularly reminds him, his solution is ignorant to what life is actually like for Black Americans. He struggles to understand, for instance, Ida’s belief that experiencing persistent racism is part of what drove her brother and Vivaldo’s friend Rufus to taking his own life. Put another way, the issues that affect Black people do not affect him, and he is often blind to the prejudices Ida, Rufus, and other Black New Yorkers face.
Meanwhile, Ida cannot separate her rage toward white people from her love for Vivaldo. Whenever they engage in arguments about race, Ida chooses to generalize about white people rather than confront Vivaldo directly. Vivaldo feels that Ida uses her anger toward white people as an excuse to not have to deal with the problems she has with him specifically. Toward the end of the novel, Ida admits that Vivaldo is right on this front; she does weaponize race and use it to seek revenge on those who have wronged her and her family. Meanwhile, Vivaldo is still largely left puzzled by Ida. Although he has sympathy for her, the novel suggests that he’ll never have the empathy she desires from him because he does not share her experience of being Black in America. As such, although the novel encourages positive and constructive dialogue surrounding race and culture, it also acknowledges that these conversations will always have their limitations because they can never fully convey a group’s lived experience.
Race in America ThemeTracker
Race in America Quotes in Another Country
Beneath them Rufus walked, one of the fallen—for the weight of this city was murderous—one of those who had been crushed on the day, which was every day, these towers fell. Entirely alone, and dying of it, he was part of an unprecedented multitude. There were boys and girls drinking coffee at the drugstore counters who were held back from his condition by barriers as perishable as their dwindling cigarettes. They could scarcely bear their knowledge, nor could they have borne the sight of Rufus, but they knew why he was in the streets tonight, why he rode subways all night long, why his stomach growled, why his hair was nappy, his armpits funky, his pants and shoes too thin, and why he did not dare to stop and take a leak.
He had expected her to resist and she did, holding the glass between them and frantically trying to pull her body away from his body’s touch. He knocked the glass out of her hand and it fell dully to the balcony floor, rolling away from them. Go ahead, he thought humorously; if I was to let you go now you’d be so hung up you’d go flying over this balcony, most likely. He whispered, “Go ahead, fight. I like it. Is this the way they do down home?”
“Rufus,” Leona had said—time and again—“ain’t nothing wrong in being colored.”
Sometimes, when she said this, he simply looked at her coldly, from a great distance, as though he wondered what on earth she was trying to say. His look seemed to accuse her of ignorance and indifference. And, as she watched his face, her eyes became more despairing than ever but at the same time filled with some immense sexual secret which tormented her.
He stood at the center of the bridge and it was freezing cold. He raised his eyes to heaven. He thought, You bastard, you motherfucking bastard. Ain’t I your baby, too? He began to cry. Something in Rufus which could not break shook him like a rag doll and splashed salt water all over his face and filled his throat and his nostrils with anguish. He knew the pain would never stop. He could never go down into the city again. He dropped his head as though someone had struck him and looked down at the water. It was cold and the water would be cold.
He was black and the water was black.
“Have you been to the police?” Richard asked.
“Yes.” She made a gesture of disgust and rose and walked to the window. “They said it happens all the time—colored men running off from their families. They said they’d try to find him. But they don’t care. They don’t care what happens—to a black man!”
“Oh, well, now,” cried Richard, his face red, “is that fair? I mean, hell, I’m sure they’ll look for him just like they look for any other citizen of this city.”
“I didn’t love Rufus, not the way you did, the way all of you did. I couldn’t help feeling, anyway, that one of the reasons all of you made such a kind of—fuss—over him was partly just because he was colored. Which is a hell of a reason to love anybody. I just had to look on him as another guy. And I couldn’t forgive him for what he did to Leona. You once said you couldn’t, either.”
For several years it had been his fancy that he belonged in those dark streets uptown precisely because the history written in the color of his skin contested his right to be there. He enjoyed this, his right to be being everywhere contested; uptown, his alienation had been made visible and, therefore, almost bearable. It had been his fancy that danger, there, was more real, more open, than danger was downtown and that he, having chosen to run these dangers, was snatching his manhood from the lukewarm waters of mediocrity and testing it in the fire. He had felt more alive in Harlem, for he had moved in a blaze of rage and self-congratulation and sexual excitement, with danger, like a promise, waiting for him everywhere. And, nevertheless, in spite of all this daring, this running of risks, the misadventures which had actually befallen him had been banal indeed and might have befallen him anywhere.
LeRoy looked briefly over at Eric and smiled. “You a nice boy, Eric, but you don’t know the score. Your Daddy owns half the folks in this town, ain’t but so much they can do to you. But what they can do to me—!” And he spread his hands wide.
“Is it because they’re colored and we’re white? Is that why?”
Again, Richard and Eric looked at each other. Richard swallowed. “The world is full of all kinds of people, and sometimes they do terrible things to each other, but—that’s not why.”
“I understand,” said Ida, carefully, “that you were a very good friend of my brother’s.”
“Yes,” he said, “I was. Or at least I tried to be.”
“Did you find it so very hard—to be his friend?”
“I’ve told you, I’m not at all interested in the education of your family, Vivaldo.”
Obscurely, deeply, he was stung. “Don’t you think there’s any hope for them?”
“I don’t give a damn if there’s any hope for them or not. But I know that I am not about to be bugged by any more white jokers who still can’t figure out whether I’m human or not. If they don’t know, baby, sad on them, and I hope they drop dead slowly, in great pain.”
Ida and Ellis had begun a new dance; or, rather, Ida had begun a new cruelty. Ida was suddenly dancing as she had probably not danced since her adolescence, and Ellis was attempting to match her—he could certainly not be said to be leading her now, either. He tried, of course, his square figure swooping and breaking, and his little boy’s face trying hard to seem abandoned.
Smoke poured from his nostrils and a detail that he needed for his novel, which he had been searching for months, fell, neatly and vividly, like the tumblers of a lock, into place in his mind. It seemed impossible that he should not have thought of it before: it illuminated, justified, clarified everything.