Another Country

by

James Baldwin

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Themes and Colors
Race in America Theme Icon
Love and Sexuality Theme Icon
High Art vs. Low Art Theme Icon
Alienation and New York City Theme Icon
LitCharts assigns a color and icon to each theme in Another Country, which you can use to track the themes throughout the work.
Love and Sexuality Theme Icon

Love and sex are two facets of romance that the characters in Another Country often confuse for each other. There are a broad array of sexual encounters that take place in the novel, ranging from subtle displays of attention to passionate sex to rape. On the extreme end of the spectrum lies the troubling sexual dynamic at play between Leona and Rufus. The first time Rufus meets Leona, he forces her to have sex with him—and although they both claim to love each other during their ensuing relationship, Rufus continues to abuse Leona sexually, physically, and by humiliating her. However, Leona refuses to leave him until he literally drives her insane; she’s ultimately committed to an asylum in Georgia. Rufus’s conversations with Vivaldo suggest that his relationship with Leona is lustful rather than loving, although he regularly states otherwise. In retrospect, Vivaldo realizes that Rufus used touch and physical intimacy—or, more often, sexual violence—as a coping mechanism to deal with his rage at the world.

Similarly, Cass and Eric have an affair where they use each other to learn something about themselves, rather than to express love. Cass feels lonely because her husband, Richard, does not touch her anymore. Meanwhile, Eric is also lonely because his lover, Yves, is stuck abroad in France. When Cass and Eric start their affair, it feels passionate and full of love. However, they come to realize that they do not love each other at all, though they do care for each other. Rather, both were using the other to fill a void and figure out what they want in their lives. Although the affair was consensual, this thus suggests that it was selfish of both Cass and Eric. The same can be said for the way Rufus treats Leona. However, despite the way sex is portrayed in the novel, the novel does not demonize sex or sexuality. Rather, Another Country seeks to show how sex and passion can corrupt relationships when employed selfishly, rather than as an expression of love.

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Love and Sexuality ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Love and Sexuality appears in each chapter of Another Country. Click or tap on any chapter to read its Summary & Analysis.
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Love and Sexuality Quotes in Another Country

Below you will find the important quotes in Another Country related to the theme of Love and Sexuality.
Book 1, Chapter 1 Quotes

He had expected her to resist and she did, holding the glass between them and frantically trying to pull her body away from his body’s touch. He knocked the glass out of her hand and it fell dully to the balcony floor, rolling away from them. Go ahead, he thought humorously; if I was to let you go now you’d be so hung up you’d go flying over this balcony, most likely. He whispered, “Go ahead, fight. I like it. Is this the way they do down home?”

Related Characters: Rufus Scott (speaker), Ida Scott, Leona, Steve Ellis
Page Number: 20
Explanation and Analysis:
Book 1, Chapter 3 Quotes

For several years it had been his fancy that he belonged in those dark streets uptown precisely because the history written in the color of his skin contested his right to be there. He enjoyed this, his right to be being everywhere contested; uptown, his alienation had been made visible and, therefore, almost bearable. It had been his fancy that danger, there, was more real, more open, than danger was downtown and that he, having chosen to run these dangers, was snatching his manhood from the lukewarm waters of mediocrity and testing it in the fire. He had felt more alive in Harlem, for he had moved in a blaze of rage and self-congratulation and sexual excitement, with danger, like a promise, waiting for him everywhere. And, nevertheless, in spite of all this daring, this running of risks, the misadventures which had actually befallen him had been banal indeed and might have befallen him anywhere.

Related Characters: Vivaldo, Ida Scott, Richard, Cass
Page Number: 132
Explanation and Analysis:
Book 2, Chapter 1 Quotes

No one, in any case, had written very often; he had not really wanted to know what was happening among the people he had fled; and he felt that they had always protected themselves against any knowledge of what was happening in him. No, Rufus had been his only friend among them. Rufus had made him suffer, but Rufus had dared to know him.

Related Characters: Rufus Scott, Vivaldo, Richard, Cass, Eric
Page Number: 192
Explanation and Analysis:

LeRoy looked briefly over at Eric and smiled. “You a nice boy, Eric, but you don’t know the score. Your Daddy owns half the folks in this town, ain’t but so much they can do to you. But what they can do to me—!” And he spread his hands wide.

Related Characters: LeRoy (speaker), Eric
Page Number: 205-206
Explanation and Analysis:
Book 2, Chapter 2 Quotes

But, as he said this, he realized that he did not care what Richard had been doing. He was merely being polite because Richard was married to Cass. He wondered if he had always felt this way. Perhaps he had never been able to admit it to himself. Perhaps Richard had changed—but did people change? He wondered what he would think of Richard if he were meeting him for the first time. Then he wondered what Yves would think of these people and what these people would think of Yves.

Related Characters: Rufus Scott, Richard, Eric, Yves
Page Number: 241
Explanation and Analysis:

“I understand,” said Ida, carefully, “that you were a very good friend of my brother’s.”

“Yes,” he said, “I was. Or at least I tried to be.”

“Did you find it so very hard—to be his friend?”

Related Characters: Ida Scott (speaker), Eric (speaker), Rufus Scott
Page Number: 265
Explanation and Analysis:
Book 2, Chapter 3 Quotes

He was making himself sick with his fears and his fantasies. If Ida loved him, then Ellis and the whole great glittering world did not matter. If she did not love him, there was nothing he could do about it and the sooner everything came to an end between them, the better. But he knew that it was not as simple as that, that he was not being honest. She might very well love him and yet—he shuddered and threw down his drink—be groaning on some leather couch under the weight of Ellis. Her love for him would in no way blunt the force of her determination to become a singer—to pursue the career which now seemed so easily within her grasp.

Related Characters: Vivaldo, Ida Scott, Richard, Cass, Steve Ellis
Page Number: 273
Explanation and Analysis:

“I’ve told you, I’m not at all interested in the education of your family, Vivaldo.”

Obscurely, deeply, he was stung. “Don’t you think there’s any hope for them?”

“I don’t give a damn if there’s any hope for them or not. But I know that I am not about to be bugged by any more white jokers who still can’t figure out whether I’m human or not. If they don’t know, baby, sad on them, and I hope they drop dead slowly, in great pain.”

Related Characters: Vivaldo (speaker), Ida Scott (speaker)
Page Number: 279
Explanation and Analysis:

He looked at the blonde again, wondering what she was like with no clothes on. She was sitting at a table near the door, facing him, toying with a daiquiri glass, and talking to a heavy, gray-haired man, who had a high giggle, who was a little drunk, and whom Vivaldo recognized as a fairly well-known poet. The blonde reminded him of Cass. And this made him realize—for the first time, it is astonishing how well the obvious can be hidden—that when he had met Cass, so many years ago, he had been terribly flattered that so highborn a lady noticed such a stinking boy. He had been overwhelmed. And he had adored Richard without reserve, not, as it now turned out, because of Richard’s talent, which, in any case, he had then been quite unable to judge, but merely because Richard possessed Cass.

Related Characters: Vivaldo, Richard, Cass
Related Symbols: Books
Page Number: 300-301
Explanation and Analysis:
Book 2, Chapter 4 Quotes

Ida and Ellis had begun a new dance; or, rather, Ida had begun a new cruelty. Ida was suddenly dancing as she had probably not danced since her adolescence, and Ellis was attempting to match her—he could certainly not be said to be leading her now, either. He tried, of course, his square figure swooping and breaking, and his little boy’s face trying hard to seem abandoned.

Related Characters: Vivaldo, Ida Scott, Cass, Steve Ellis
Page Number: 360
Explanation and Analysis:

There were many things she could not demand of Eric. Their relationship depended on her restraint. She could not go to him now, for example, at two in the morning: this liberty was not in their contract. The premise of their affair, or the basis of their comedy, was that they were two independent people, who needed each other for a time, who would always be friends, but who, probably, would not always be lovers. Such a premise forbids the intrusion of the future, or too vivid an exhibition of need. Eric, in effect, was marking time, waiting—waiting for something to be resolved.

Related Characters: Richard, Cass, Eric
Page Number: 363
Explanation and Analysis:

She could keep silence and go into his arms, and the last few months would be wiped away—he would never know where she had been. The world would return to its former shape. Would it? The silence between them stretched. She could not look at him. He had existed for too long in her mind—now, she was being humbled by the baffling reality of his presence. Her imagination had not taken enough into account—she had not foreseen, for example, the measure or the quality or the power of his pain. He was a lonely and limited man, who loved her. Did she love him?

Related Characters: Richard, Cass, Eric
Page Number: 372
Explanation and Analysis:
Book 3, Chapter 1 Quotes

He wished that he could rescue her, that it was within his power to rescue her and make her life less hard. But it was only love which could accomplish the miracle of making a life bearable—only love, and love itself mostly failed; and he had never loved her. He had used her to find out something about himself. And even this was not true. He had used her in the hope of avoiding a confrontation with himself which he had, nevertheless, and with a vengeance, been forced to endure.

Related Characters: Rufus Scott, Leona, Cass, Eric
Page Number: 404
Explanation and Analysis: