High Art vs. Low Art Theme Analysis

Perhaps such secrets, the secrets of everyone, were only expressed when the person laboriously dragged them into the light of the world, imposed them on the world, and made them a part of the world’s experience. Without this effort, the secret place was merely a dungeon in which the person perished; without this effort, indeed, the entire world would be an uninhabitable darkness; and she saw, with a dreadful reluctance, why this effort was so rare. Reluctantly, because she then realized that Richard had bitterly disappointed her by writing a book in which he did not believe. In that moment she knew, and she knew that Richard would never face it, that the book he had written to make money represented the absolute limit of his talent. It had not really been written to make money—if only it had been! It had been written because he was afraid, afraid of things dark, strange, dangerous, difficult, and deep.

The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived—nor could it, for that matter, be said that they had died—through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain. The great question that faced him this morning was whether or not he had ever, really, been present at his life. For if he had ever been present, then he was present still, and his world would open up before him.

She put the book down on the bar between Ida and Vivaldo. “It’s had great advance notices. You know, ‘literate,’ ‘adult,’ ‘thrilling’—that sort of thing. Richard’ll show them to you. It’s even been compared to Crime and Punishment—because they both have such a simple story line, I guess.” Vivaldo looked at her sharply. “Well. I’m only quoting.”

He looked at the blonde again, wondering what she was like with no clothes on. She was sitting at a table near the door, facing him, toying with a daiquiri glass, and talking to a heavy, gray-haired man, who had a high giggle, who was a little drunk, and whom Vivaldo recognized as a fairly well-known poet. The blonde reminded him of Cass. And this made him realize—for the first time, it is astonishing how well the obvious can be hidden—that when he had met Cass, so many years ago, he had been terribly flattered that so highborn a lady noticed such a stinking boy. He had been overwhelmed. And he had adored Richard without reserve, not, as it now turned out, because of Richard’s talent, which, in any case, he had then been quite unable to judge, but merely because Richard possessed Cass.

Smoke poured from his nostrils and a detail that he needed for his novel, which he had been searching for months, fell, neatly and vividly, like the tumblers of a lock, into place in his mind. It seemed impossible that he should not have thought of it before: it illuminated, justified, clarified everything.