Uzzi Tuzii Quotes in If on a winter’s night a traveler
“Me? I don’t read books!” Irnerio says.
“What do you read, then?”
“Nothing. I’ve become so accustomed to not reading that I don’t even read what appears before my eyes. It’s not easy: they teach us to read as children, and for the rest of our lives we remain the slaves of all the written stuff they fling in front of us. I may have had to make some effort myself, at first, to learn not to read, but now it comes quite naturally to me. The secret is not refusing to look at the written words. On the contrary, you must look at them, intensely, until they disappear.”
The Cimbro-Cimmerian debate does not seem to affect Ludmilla, now occupied with a single thought: the possibility that the interrupted novel might continue.
“The real revolution will be when women carry arms.”
“I don’t understand who you’re accusing, I don’t know anything about your stories. I follow a very clear strategy. The counterpower must infiltrate the mechanisms of power in order to overthrow it.”
“And then reproduce it, identically! It’s no use your camouflaging yourself, Lotaria! If you unbutton one uniform, there’s always another uniform underneath!”
The seventh reader interrupts you: “Do you believe that every story must have a beginning and an end? In ancient times a story could end only in two ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.”
You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla.
Uzzi Tuzii Quotes in If on a winter’s night a traveler
“Me? I don’t read books!” Irnerio says.
“What do you read, then?”
“Nothing. I’ve become so accustomed to not reading that I don’t even read what appears before my eyes. It’s not easy: they teach us to read as children, and for the rest of our lives we remain the slaves of all the written stuff they fling in front of us. I may have had to make some effort myself, at first, to learn not to read, but now it comes quite naturally to me. The secret is not refusing to look at the written words. On the contrary, you must look at them, intensely, until they disappear.”
The Cimbro-Cimmerian debate does not seem to affect Ludmilla, now occupied with a single thought: the possibility that the interrupted novel might continue.
“The real revolution will be when women carry arms.”
“I don’t understand who you’re accusing, I don’t know anything about your stories. I follow a very clear strategy. The counterpower must infiltrate the mechanisms of power in order to overthrow it.”
“And then reproduce it, identically! It’s no use your camouflaging yourself, Lotaria! If you unbutton one uniform, there’s always another uniform underneath!”
The seventh reader interrupts you: “Do you believe that every story must have a beginning and an end? In ancient times a story could end only in two ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.”
You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla.