LitCharts assigns a color and icon to each theme in Middlesex, which you can use to track the themes throughout the work.
Rebirth vs. Continuity
Ancestry, Inheritance, and Fate
False Binaries
Migration, Ethnicity, and the American Dream
Secrets
Summary
Analysis
Cal was inspired to write a memoir after reading about other intersex people in history. His case is fascinating for the medical community because he has a “male brain,” but was raised as a girl, making him a perfect example for exploring questions of “nature versus nurture.” However, in order to tell his story properly, Cal must rewind to before his own birth, before his grandparents even arrived in America. The story really begins in summer 1922. Desdemona is sitting in her silkworm cocoonery on Mount Olympus in Asia Minor, and feels her heart skip a beat.
The fact that Cal’s family originates from Mount Olympus adds a mythical, surreal element to the story and characterizes it as an epic family saga. While Mount Olympus is a real place, it is also hugely important within Ancient Greek mythology, as it was believed to be the place where the gods lived.
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Below Mount Olympus lies the Ottoman city of Bursa, home of the silk trade. Desdemona’s heart palpitation was caused by grief over the recent death of her parents in the conflict between the Greeks and the Turks during World War I. For the first time, Desdemona and the others in her village, Bithynios, are living under Greek rule. Desdemona tries to distract herself from her torment by focusing on the silkworms. When she was a child, her mother, Euphrosyne, told her that the silkworms could tell if a woman was impure, and that it would show up on the silk.
From this initial impression, it seems that Desdemona’s life is quite traditional. She lives in a small village and has the ancient profession of being a silk worker. At the same time, her life is also being touched by distinctly modern forces—namely, World War I.
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Desdemona’s brother Eleutherios, nicknamed Lefty, is singing a song in English without being able to understand the words. Just before Euphrosyne died, she made Desdemona promise to look after Lefty and “find him a wife.” Desdemona is 21 and beautiful, with a curvaceous body that embarrasses her. Lefty, meanwhile, has a “softness” about him that shows that he is a somewhat spoiled young man. He is one year older than Desdemona, and the isolation of their rural existence means they have always been inseparable, almost like one person.
The idea of two people being almost like two halves of one person is an important motif in the book, as the novel aims to show that everyone’s identity is comprised of multiple parts. While there is something very special about this connection between Desdemona and Lefty, it is also a potentially dangerous form of intimacy because it is so intense and vulnerable.
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However, recently Lefty has been going to Bursa often, sometimes staying overnight. He has been learning French and has picked up “affected” gestures. Desdemona interrogates Lefty about what he does in Bursa, and although he at first resists, he eventually tells her that he “want[s] a woman.” Desdemona is shocked. She is still completely naïve when it comes to sexuality. She is angry, and probably “a little jealous” and resentful. Shouting, she demands to know why Lefty doesn’t want a woman from their village, but Lefty (accurately) points out that there are no young women for him in Bithynios.
Desdemona’s life is strongly impacted by the strict gender roles that are customary in her village. These traditional norms dictate that her life should revolve around supporting her brother and making sure that he finds a wife. The idea that Desdemona herself might want a husband seems to be unimportant.
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Bithynios’s already small population has dwindled in recent years. Desdemona and Lefty’s cousin Sourmelina recently moved to “a place called Detroit” in America. Of the hundred people still living in Bithynios, there are only two single young women aside from Desdemona herself: Lucille Kafkalis and Victoria Pappas. However, when Desdemona brings them up, Lefty says that Lucille smells while Victoria is ugly. After Lefty leaves in a huff, Desdemona gets out the worry beads that have been in her family for generations and counts them until she feels better.
While Desdemona resents the impact that conservative social norms have on her life, she also turns to her traditional cultural inheritance for comfort. Indeed, she seems to embrace traditional ideas—including the expectation that Lefty marry a girl from Bithynios—more than Lefty himself, who dreams of something different.
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Lefty, meanwhile, goes down to the market where he reluctantly tries to sell the silkworm cocoons. He doesn’t enjoy participating in “the family business,” but women aren’t allowed at the market and thus he has to do it. He has come late in the date, which means he will have to accept a discounted price. After completing the sale, he goes to into a church and prays, begging for help and absolution for the desires he feels. He then buys coffee, cigarettes, and ouzo, and plays backgammon. Lately he has been racking up gambling debt from these games.
As a man, Lefty is afforded far more freedom than Desdemona, and he uses this to go off by himself, participate in city life, and indulge in vices such as cigarettes, alcohol, and gambling. At the same time, his prayer in church suggests that he is not an entirely irresponsible young man, and still feels a sense of duty to be a good person.
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At midnight, Lefty goes to a brothel and chooses a girl who has braids and sad eyes like Desdemona, although he doesn’t consciously notice the similarity until they are walking to the bedroom together. He smokes a hookah filled with hashish, and while he and the woman have sex he calls Desdemona’s name. The next morning, hungover and without any money, Lefty returns home. While he was gone, Desdemona invited Lucille and Victoria over; she told Lucille to wash more regularly and Victoria to get her mustache waxed. Later that week, she teaches them about lingerie, instructs them to wear different clothes and jewelry, and encourages them to adopt more feminine body language and gestures. She tells them to walk past the spot where Lefty likes to sit and read.
In this passage, it is strongly hinted that Lefty is sexually attracted to his sister. Judging from Desdemona’s behavior, it may seem as if these feelings are not reciprocated. On the other hand, her enthusiastic determination to make Lefty marry of the young women from Bithynios may not be because this is what she actually wants. Desdemona could also be trying to suppress her own feelings, and may be simply fulfilling her culturally-mandated duty, as well as carrying out the promise she made to her mother.
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Lefty tells Desdemona that he’s noticed that Lucille smells better and that Victoria’s mustache is gone, indicating that he has changed his mind about marrying a girl from the village. They stand close together, and Desdemona has a feeling that Dr. Luce describes as “periphescence,” the state of intense erotic attachment that comes early on in a relationship. However, she then tells Lefty that he should begin preparing to officially court Lucille and Victoria. On the next evening, Lefty goes to Victoria’s house, an event that causes a great stir in Bithynios. Everyone is riveted, desperate to find out which girl he will pick.
Lefty and Desdemona’s attempt to stifle their attraction to each other doesn’t appear to be working very well—the more they suppress it, the more intense their erotic fixation goes. At the same time, they continue to deny their true feelings and pretend that they both want Lefty to marry someone else.
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Desdemona has done Victoria’s hair and makeup and taught her how to hold herself. However, before Lefty even gets to the house, he turns around. Back at home, Desdemona puts on the white silk corset Euphrosyne gave her for her wedding night. She looks in the mirror and feels despair over her certainty that she will never get married. Meanwhile, Lefty goes to Lucille’s house, but almost as soon as he’s walked in the door he leaves again. Lefty is familiar with the lingerie catalogue that Desdemona used as inspiration for styling Victoria and Lucille; all he can think is how far these women fall from any kind of ideal.
Desdemona thinks she has done ingenious work by making over Lucille and Victoria to impress Lefty. However, in reality, Lefty knows her too well and knows what she has done. Moreover, he is not seduced by the superficial changes to the two young women, which seem, if anything, to make him even less attracted to them.
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Desdemona, meanwhile, takes off the corset, lies on the bed, and cries herself to sleep. She dreams about Lefty. Cal wonders what drew them together, pondering if it was the “gene,” but then says he prefers not to think of everything as being biologically determined. Hearing Lefty reenter the house, Desdemona hastily gets dressed. He tells her that he doesn’t want to marry either Victoria or Lucille. They play the Greek version of rock, paper, scissors (rock, ax, snake) to help decide.
Lefty and Desdemona’s relationship blurs the boundaries between familial and sexual love, as well as childhood and adulthood. Although they have mature sexual desire for each other, they still act like children together, as shown when they play the Greek version of rock, paper, scissors.
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Lefty wins, and tells Desdemona he wants to marry her, saying that they are not just siblings but third cousins, and third cousins can marry. They share a long hug, which gets increasingly sensual, and then start waltzing. In Bithynios, it is common for cousins to marry; “everyone [is] somehow related.” While they dance, the Greek Army goes into retreat.
While it may indeed be common for cousins to marry each other in Bithynios, it is still deeply taboo for siblings to marry. At the same time, this taboo does not stop Lefty and Desdemona from falling in love. The fact that Lefty and Desdemona are both siblings and third cousins, meanwhile, implies that they are not the only ones in their family to engage in an incestuous relationship.