The End of the World Theme Analysis

“Never in all my days have I seen such terrible things written in the skies as there have been nightly since this year began. The stars say nothing of the coming of Aslan, nor of peace, nor of joy. I know by my art that there have not been such disastrous conjunctions of the planets for five hundred years. It was already in my mind to come and warn your Majesty that some great evil hangs over Narnia. But last night the rumor reached me that Aslan is abroad in Narnia. Sire, do not believe this tale. It cannot be. The stars never lie, but Men and Beasts do. If Aslan were really coming to Narnia the sky would have foretold it. If he were really come, all the most gracious stars would be assembled in his honor. It is all a lie.”

“So we got into the train—that’s a kind of thing people travel in in our world: a lot of wagons chained together—and the Professor and Aunt Polly and Lucy came with us. We wanted to keep together as long as we could. Well there we were in the train. And we were just getting to the station where the others were to meet us, and I was looking out of the window to see if I could see them when suddenly there came a most frightful jerk and a noise: and there we were in Narnia and there was your Majesty tied up to the tree.”

At first glance you might have mistaken it for smoke, for it was gray and you could see things through it. But the deathly smell was not the smell of smoke. Also, this thing kept its shape instead of billowing and curling as smoke would have done. It was roughly the shape of a man but it had the head of a bird; some bird of prey with a cruel, curved beak. It had four arms which it held high above its head, stretching them out Northward as if it wanted to snatch all Narnia in its grip; and its fingers—all twenty of them—were curved like its beak and had long, pointed, bird-like claws instead of nails. It floated on the grass instead of walking, and the grass seemed to wither beneath it.

“Two sights have I seen,” said Farsight. “One was Cair Paravel filled with dead Narnians and living Calormenes: The Tisroc’s banner advanced upon your royal battlements: and your subjects flying from the city—this way and that, into the woods. Cair Paravel was taken from the sea. Twenty great ships of Calormen put in there in the dark of the night before last night.”

No one could speak.

“And the other sight, five leagues nearer than Cair Paravel, was Roonwit the Centaur lying dead with a Calormene arrow in his side. I was with him in his last hour and he gave me this message to your Majesty: to remember that all worlds draw to an end and that noble death is a treasure which no one is too poor to buy.”

“So,” said the King, after a long silence, “Narnia is no more.”

“I was going to say I wished we’d never come. But I don’t, I don’t, I don’t. Even if we are killed. I’d rather be killed fighting for Narnia than grow old and stupid at home and perhaps go about in a bath-chair and then die in the end just the same.”

“Or be smashed up by British Railways!”

“Why d’you say that?”

“Well when that awful jerk came—the one that seemed to throw us into Narnia—I thought it was the beginning of a railway accident. So I was jolly glad to find ourselves here instead.”

But Tirian gazed round and saw how very few of the animals had moved.

“To me! to me!” he called. “Have you all turned cowards since I was your King?”

“We daren’t,” whimpered dozens of voices. “Tashlan would be angry. Shield us from Tashlan.”

“Listen, Peter. When Aslan said you could never go back to Narnia, he meant the Narnia you were thinking of. But that was not the real Narnia. That had a beginning and an end. It was only a shadow or a copy of the real Narnia which has always been here and always will be here: just as our own world, England and all, is only a shadow or copy of something in Aslan’s real world. You need not mourn over Narnia, Lucy. All of the old Narnia that mattered, all the dear creatures, have been drawn into the real Narnia through the Door. And of course it is different; as different as a real thing is from a shadow or as waking life is from a dream.” [...] “It’s all in Plato, all in Plato: bless me, what do they teach them at these schools!” the older ones laughed.

Lucy looked hard at the garden and saw that it was not really a garden but a whole world, with its own rivers and woods and sea and mountains. But they were not strange: she knew them all.

“I see,” she said. “This is still Narnia, and more real and more beautiful than the Narnia down below, just as it was more real and more beautiful than the Narnia outside the stable door! I see … world within world, Narnia within Narnia….”

“Yes,” said Mr. Tumnus, “like an onion: except that as you continue to go in and in, each circle is larger than the last.”

“There was a real railway accident,” said Aslan softly. “Your father and mother and all of you are—as you used to call it in the Shadowlands—dead. The term is over: the holidays have begun. The dream is ended: this is the morning.”

[...] And for us this is the end of all the stories, and we can most truly say that they all lived happily ever after. But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before.