Black Beauty

by

Anna Sewell

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Class, Transportation, and Victorian England Theme Analysis

Themes and Colors
Horse Care, Abuse, and Neglect Theme Icon
Class, Transportation, and Victorian England Theme Icon
Good, Evil, and Power Theme Icon
Dignity and Religion Theme Icon
LitCharts assigns a color and icon to each theme in Black Beauty, which you can use to track the themes throughout the work.
Class, Transportation, and Victorian England Theme Icon

Black Beauty introduces readers to a very specific period of history: a point in Victorian England when transportation options were limited to steam trains and either riding or driving a horse-drawn vehicle. Horses are animals with thoughts and feelings of their own, per the novel—but they’re also the dominant form of transportation in this period, and so are consistently thought of not as living beings, but as something akin to trains that go and go and never get tired. As Black Beauty is sold from owner to owner over the course of the novel, he offers readers insight into how class and wealth influence how people in Victorian England see their equine transportation. As a colt and a young horse, Black Beauty’s owners are wealthy and kind. Squire Gordon respects horses and sees them almost as people, with personalities and preferences that he and his staff should make every effort to accommodate. There’s no doubt that Squire Gordon’s horses are his primary mode of transportation, but because of his wealth and his kindness, he ensures that no one horse is forced to do more work than the horse’s body can handle. Additionally, by not using bearing reins on his carriage horses, Squire Gordon gives his horses the best chance he can to help them do their jobs as easily and comfortably as possible. And on the off chance that a horse is overworked, his staff cares for the horse carefully and compassionately to restore them to health.

But while Squire Gordon is held up as an ideal, the novel also suggests that Squire Gordon is more likely to treat his horses so well because he can afford to—and not everyone in Victorian England has the privilege to be as kind and compassionate as he is. Indeed, when Black Beauty works pulling a cab in London, his owner, Jerry, does the best he can for Black Beauty and his other horses, Captain and Hotspur. But because Jerry needs his horses to work for many hours a day, six days per week to make a living, he’s not able to offer the horses the rest that a wealthy person like Squire Gordon could—rest that could, the novel suggests, improve the horses’ health. And Jerry is still far more fortunate than other men who drive cabs, such as Seedy Sam. One day, when Seedy Sam shows up at the cab stand driving a horse who looks ready to drop dead of exhaustion, he explains that he has no choice but to push the horse to the breaking point if he wants to survive and feed his family. He doesn’t own his horse—he rents the horse and cab from someone else—and so he has to drive the horse hard to not only pay the day rate for the horse, but to then make a profit for himself on top of that. His class, essentially, means that it’s simply not financially feasible for him to treat his horse as anything other than a beast of burden that will go until, inevitably, it dies due to overwork. So while the novel is not at all subtle about trying to convince readers that the horses that keep Victorian England moving deserve care and rest, it also shows that the very laws governing this work (such as those setting exorbitantly high cab licensing rates and others mandating low fares) make people feel they have no choice but to treat horses as expendable.

And while Black Beauty’s focus is mostly on his own plight and that of his fellow horses, he also shows how the same class system that condemns horses to overwork also harms the people using the horses to make a living, like Seedy Sam. While the wealthy Squire Gordon has the capital to move his wife, Mrs. Gordon, to continental Europe when she falls gravely ill, Seedy Sam drives until he dies suddenly of bronchitis. He dies in the middle of winter, after spending days driving unprotected in frigid sleet—all because the only way to keep his family housed and fed was to keep working, even as he became progressively sicker. While Black Beauty doesn’t excuse or justify tragic human or equine deaths like this, it does show how the Victorian class system and the era’s dependence on equine transportation resulted in a shockingly high death rate.

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Class, Transportation, and Victorian England Quotes in Black Beauty

Below you will find the important quotes in Black Beauty related to the theme of Class, Transportation, and Victorian England.
Chapter 2 Quotes

Not many days after, we heard the church bell tolling for a long time; and looking over the gate we saw a long strange black coach that was covered with black cloth and was drawn by black horses; after that came another and another and another, and all were black, while the bell kept tolling, tolling. They were carrying young Gordon to the churchyard to bury him. He would never ride again. What they did with Rob Roy I never knew; but ‘twas all for one little hare.

Related Characters: Black Beauty/The Narrator (speaker), George Gordon, Rob Roy
Related Literary Devices:
Page Number: 9
Explanation and Analysis:
Chapter 22 Quotes

York came round to our heads and shortened the rein himself, one hole, I think; every little makes a difference, be it for better or worse, and that day we had a steep hill to go up. Then I began to understand what I had heard of. Of course I wanted to put my head forward and take the carriage up with a will, as we had been used to; but no, I had to pull with my head up now, and that took all the spirit out of me, and the strain came on my back and legs.

Related Characters: Black Beauty/The Narrator (speaker), Ginger, Mrs. W, Mr. York
Related Symbols: Bearing Reins
Page Number: 111
Explanation and Analysis:
Chapter 23 Quotes

“I was at a dealer’s once, who was training me and another horse to go as a pair; he was getting our heads up, as he said, a little higher and a little higher every day. A gentleman who was there asked him why he did so; ‘Because,’ said he, ‘people won’t buy them unless we do. The London people always want their horses to carry their heads high, and to step high; of course it is very bad for the horses, but then it is good for trade. The horses soon wear up, or get diseased, and they come for another pair.’”

Related Characters: Max (speaker), Black Beauty/The Narrator, Ginger, Mrs. W, Mr. York
Related Symbols: Bearing Reins
Page Number: 115-116
Explanation and Analysis:
Chapter 27 Quotes

“And so,” she said, “here we are—ruined in the prime of our youth and strength—you by a drunkard, and I by a fool; it is very hard.”

Related Characters: Ginger (speaker), Black Beauty/The Narrator, Reuben Smith, Lord George
Page Number: 136
Explanation and Analysis:
Chapter 28 Quotes

“Well, to be sure!” said my driver, “that is a queer thing! I never knew that horses picked up stones before!”

“Didn’t you?” said the farmer, rather contemptuously; “but they do, though, and the best of them will do it, and can’t help it sometimes on such roads as these. And if you don’t want to lame your horse, you must look sharp and get them out quickly. This foot is very much bruised,” he said, setting it down gently and patting me.

Related Characters: Black Beauty/The Narrator
Page Number: 142
Explanation and Analysis:
Chapter 36 Quotes

“’Tis not for me to lay down plans for other people,” said Jerry, “but if they can’t walk so far, they can go to what is nearer; and if it should rain they can put on their mackintoshes as they do on a week-day. If a thing is right, it can be done, and if it is wrong, it can be done without; and a good man will find a way; and that is as true for us cabmen as it is for the church-goers.”

Related Characters: Jerry Barker (speaker), Black Beauty/The Narrator
Page Number: 194
Explanation and Analysis:
Chapter 39 Quotes

“[…] and I say ‘tis a mockery to tell a man that he must not overwork his horse, for when a beast is downright tired, there’s nothing but the whip that will keep his legs agoing—you can’t help yourself—you must put your wife and children before the horse, the masters must look to that, we can’t. I don’t ill-use my horse for the sake of it; none of you can say I do. There’s wrong lays somewhere—never a day’s rest—never a quiet hour with the wife and children.”

Related Characters: Seedy Sam (speaker), Black Beauty/The Narrator, Jerry Barker, Governor Grant
Page Number: 207
Explanation and Analysis:
Chapter 40 Quotes

I said, “You used to stand up for yourself if you were ill-used.”

“Ah!” she said, “I did once, but it’s no use; men are strongest, and if they are cruel and have no feeling, there is nothing that we can do, but just bear it, bear it on and on to the end. I wish the end was come, I wish I was dead. I have seen dead horses, and I am sure they do not suffer pain. I wish I may drop down dead at my work, and not be sent off to the knacker’s.”

Related Characters: Black Beauty/The Narrator (speaker), Ginger (speaker)
Page Number: 211-12
Explanation and Analysis:
Chapter 44 Quotes

The drayman was proved to be very drunk, and was fined, and the brewer had to pay damages to our master; but there was no one to pay damages to poor Captain.

Related Characters: Black Beauty/The Narrator (speaker), Jerry Barker, Captain
Page Number: 228
Explanation and Analysis:
Chapter 45 Quotes

Christmas and the New Year are very merry times for some people; but for cabmen and cabmen’s horses it is no holiday, though it may be a harvest. There are so many parties, balls, and places of amusement open, that the work is hard and often late. Sometimes driver and horse have to wait for hours in the rain or frost, shivering with cold, whilst the merry people within are dancing away to the music. I wonder if the beautiful ladies ever think of the weary cabman waiting on his box, and his patient beast standing, till his legs get stiff with cold.

Related Characters: Black Beauty/The Narrator (speaker), Jerry Barker
Page Number: 233
Explanation and Analysis:
Chapter 46 Quotes

“Is it not better,” she said, “to lead a good fashion, than to follow a bad one? A great many gentlemen do not use bearing reins now; our carriage horses have not worn them for fifteen years, and work with much less fatigue than those who have them; besides,” she added, in a very serious voice, “we have no right to distress any of God’s creatures without a very good reason; we call them dumb animals, and so they are, for they cannot tell us how they feel, but they do not suffer less because they have no words.”

Related Characters: The Lady (speaker), Black Beauty/The Narrator, Jakes
Related Symbols: Bearing Reins
Page Number: 246
Explanation and Analysis:
Chapter 48 Quotes

There were poor men trying to sell a worn-out beast for two or three pounds, rather than have the greater loss of killing him. Some of them looked as if poverty and hard times had hardened them all over; but there were others that I would have willingly used the last of my strength in serving; poor and shabby, but kind and human, with voices that I could trust.

Related Characters: Black Beauty/The Narrator (speaker)
Page Number: 254
Explanation and Analysis:
Chapter 49 Quotes

“You see, ladies,” said Mr Thoroughgood, “many first-rate horses have had their knees broken through the carelessness of their drivers, without any fault of their own, and from what I see of this horse, I should say that is his case: but of course I do not wish to influence you.”

Related Characters: Mr. Thoroughgood (speaker), Black Beauty/The Narrator, Reuben Smith, Miss Lavinia, Miss Ellen, Miss Blomefield
Page Number: 260
Explanation and Analysis: